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Writing Tips For Authors
From Lionhearted Books
Out Of Your
Head
By Deborah S. Rossman and Mary Ann Heathman
Concentrate On Conflict
"Crazy title, isn't
it? Impossible, too. In the real world, you can't leave your head
anymore than you can go into someone else's. When viewpoint is
handled properly, the reader gets inside the character's thoughts
and stays there in the same way she remains in her own mind in
life. She lives the character from his field of knowledge, through
his eyes alone, and with all the uncertainty and concern of actual
experience. This means that the character can't watch his hair
catch rays of sun, or see his own blue eyes shine with interest.
He can't see the villain sneaking up behind him."
Read the rest
Creating Characters
Why do we read fiction novels? Hmm.
A complex question. But when you think about possible answers, one
reason stands above the rest. We read to get to know someone. Really
know her. To touch, to see, to feel her. To experience her life. To
be so swept away by the character that for the duration of the book,
we become her.
Read the rest
Guidelines
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